There’s that 1 percent that are too big for their britches. And 99 percent of the time the actors are lovely to work with. I did that for three days-what can I say? Working with Patrick Swayze, Robert Redford, Keanu Reeves-it’s lovely what I do. We were on a barge in the middle of the Savannah River in the engine room, and he was dead and wrapped in plastic and chains. Gloria Winship, co–head trainer and owner of Animal Actors International Animal Talent Agency : My favorite job was working with Robert Downey Jr. Then they’ll start looking around for me. I make sure-as soon as you hear me say ‘OK’ you give the dog a cookie so it stays close to them. I just say, “Hey, could you give the dog a cookie? Every time I say ‘OK’ you give them a cookie.” And pretty soon the dog is just doing whatever the actor is saying. If I do that thing three times and we’re on set, half the time they don’t know I’m training them. It sounds like you’re also training the actor to train the dog. The dog understands the pattern: “Oh, I have to listen to what she says.” Then you teach it to sit for someone else and give them a cookie, and I’ll say before you give them the cookie you ask the dog to sit, and I’ll say OK. If you don’t want the dog to look at people, you start when the dog’s a puppy. We always start training this with a treat on the end but they eventually learn to look at the end and know a treat is coming after the trick is done.īonnie Judd, animal coordinator and trainer : You teach a dog in small pieces what you want. We can have the dog or cat start by looking at the trainer and then “throw” the look to the Look Stick. Sometimes the trainer stands directly behind the actor and a little higher. Ursula Brauner, co-owner of Animals for Hollywood : This is one of our biggest challenges and we have various tools and tricks to achieve the most natural eyeline. ![]() One of the strange things about seeing animals in ads is that it sometimes seems like they’re not paying much attention to the actors on camera with them-like they might be looking to their trainer off-camera instead. I hope he doesn’t leap out of car windows or onto random people at home for takedowns, although I know he would enjoy it immensely! He also had extensive training to calm down, which is something that he took into his life at home. After adopting Digby, she found he was a visual match for Krypto and his talents that might have caused him to be overlooked were suddenly celebrated. His owner worked at the animal shelter and watched him get passed over due to his high energy. Melissa Millett, head trainer and founder of The Ultimutts : Digby is a rescue dog who is one of the three doubles for Krypto on Titans. They’re anywhere from eight months old to two years old -then I know their true personality. And for movie purposes, I like them to be really outgoing and friendly. Those are dogs that don’t really get adopted because they’re what I call too much of a dog as a regular pet, but I utilize all that energy toward training and channel the behavior toward keeping them busy. I like them to be very energetic and a little bit out of control. The way I pick them is I get the dogs who, in a way, no one wants. ![]() Mathilde De Cagny, trainer with Birds & Animals Unlimited : Ninety-five percent of the time, my dogs come from shelters or rescues. Lesson one: Just make sure you’ve got a pocket full of cookies.Īre there specific things you’re looking for when you pick a dog to train? Together, they’ve worked on some of Hollywood’s biggest animal-starring movies, TV, and ads. Which Pop Culture Dog Is Best in Show? Gone in 16 Seconds: Flyball Is the Peak of Dog Sports Fake Dogs, Real Emotions: Why People Need Websites Like Does the Dog Die?īelow, a variety of people who work within the industry-as trainers, educators, or, as Gloria Winship, the longtime proprietor of All Animal Actors, puts it, “a talent agent for dogs-and cats and lions and tigers and bears”-explain what really goes into getting a pup into showbiz.
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